In the reading for this week I want
to bring up the tone that I detected in the Write
Like This article by Gallagher. I found that I was conflicted about what
ideas exactly the author was trying to convey—undoubtedly, I embraced his
stance on showing students how to
become better writers through modeling (Gallagher, 15) and the normalization of
struggle (Gallagher, 16), but he repeats the idea of “the real-world purposes for writing (instead of simply writing to
meet the next school requirement) [where students] begin to internalize the
relevance of writing, and more important, they develop an understanding that writing
is an important skill to carry into adulthood” (Gallagher, 8-9). Upon reading
this passage, I immediately thought to myself just what precisely was implied
by this author by emphasizing real-world purposes
for writing—as a high school teacher (Gallagher, viii), does Gallagher not
believe that the development of strong writing skills would be needed for
success in college in order to obtain a career? Where in most careers, good
writing skills are required in many aspects of daily life, from writing
professional emails and memos, to writing reports and plans. Gallagher
continues a couple of paragraphs after this passage and sarcastically dismisses
the validity of tone and scoffs at it in real-world
writing when he describes a hypothetical casual encounter with a student, years
in the future where the student shares that they still keep a tone journal and
continue to write essays about authors’ tone for all the books they read after
high school (Gallagher, 9). Instead, Gallagher embraces real-world writing as students responding to editorials and writing
blogs. While this sort of writing is absolutely valid and should be encouraged,
I don’t think that it should be the sort of real-world
writing that a language arts teacher should stress as the kind of writing
that students will encounter and should anticipate for the rest of their
out-of-school lives.
I interpreted
Gallagher’s own tone as demeaning and critical of the many elements involved in
and taught in literature and writing. To
continue with Gallagher’s example of tone, I don’t think that the tone an
author employs should ever be dismissed, and I do believe that analysis of tone
should be applied to everything one reads and writes. Author’s write for an
audience and are motivated to write with a goal or purpose in mind—this may not
be quite as relevant in the natural sciences and mathematics, where writing is
rather fact-driven and there is less room for interpretation, but it is absolutely
pertinent to literature we encounter every day in history, economics, newspapers,
novels, magazines, television programming, blogs and movies because the
creators of these items want their audiences to believe their argument or “buy
into” what they are presenting.
Gallagher
emphasizes that he wants his students to work toward becoming real-world
writers, but that students make no distinction between the various purposes
that drive real-world writing (Gallagher, 9). He goes about this dilemma by
presenting his students with lists of purposes which drive writing, which
include informing/explaining, inquiry/exploration and analysis/interpretation,
among others, which are excellent, but fall short when he presents very un-academic,
rather buzzfeed-esque topics (sports, book reviews, movie trends) found in newspapers
he brings to class as demonstrations of real-world
writing (Figure 1.2, page 11). These are relevant personal-interest ideas to
inspire personal motivations for
writing, but these purposes for writing do not prepare students for college or
career writing and rather omit the idea of college all together, which actually
seems very dangerous at a high-school level. I believe that Gallagher shares
some excellent insight as to the need for mentors and models for students as
well as the break-down of the processes and components for good writing.
However, we must not be afraid to challenge students while giving them the
skills for writing professionally, academically and within the disciplines
because once they gain the tools for comprehension of these advanced
literatures, then they will be able to put forth their own thoughts on what
they read and connect ideas which they can then share.